Missouri's Role in the Ragtime Revolution
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Title
Title
Missouri's Role in the Ragtime Revolution
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Content type
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Description |
Description
History of ragtime music, a precursor of jazz music played mainly by African-American pianists, originating in the American Midwest in the late 19th century and giving way to jazz and blues mostly by 1910, "primarily in Missouri, particularly in Sedalia." Description of many of its prominent musicians and composers from western Missouri and Saint Louis, including Scott Joplin, Tom Turpin, Ben Harvey, Joseph Lamb, et al.
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Creator Name |
Creator Name
Creator: Tichenor, Trebor Jay
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Item Type
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Date(s) |
Date(s)
1961-04
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Subject (local) |
Subject (local)
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Digital Collection(s) |
Digital Collection(s)
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Related Item |
Related Item
Missouri Historical Society Bulletin
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Note(s) |
Note(s)
Page 239: "Although the term [ragtime] has almost lost its meaning, it originally stood for a bold and sincere musical expression of restlessness and joy, reflecting that era called 'The Innocent Years.' Ragtime is a hybrid music, developed from a complex and colorful panorama of Negro folk-music, traditional dances such as the schottische and the march, European classical music, minstrelsy, the 'coon song,' and the cake-walk craze, which to some extent coincided with the rag. Primarily, ragtime is piano music. .."
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Part
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Shelf Locator |
Shelf Locator
Periodical
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Restriction on Access |
Restriction on Access
This document is not available online. You may come to the Missouri Valley Room to view it or request a photocopy from the Library's Document Delivery service. http://www.kclibrary.org/copy-requests
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